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I don't shoot enough stained glass. Need to change that, as it's the kind of subject that offers up almost infinite variation, taking on a unique tone depending on where the sun may be in the sky - or even if it's in the sky at all.
Which neatly describes why this shot almost didn't happen at all. That's because the one day that I had scheduled to come here with my camera turned out to be cold, grey and rainy. I was not pleased. Yet somehow the optical deities cooperated and let me escape with this - a nicely saturated shot of a piece of stained glass I've been staring at for years, yet never quite saw in this way.
Your turn: Turning disappointment into something sweeter. Please discuss.